IN WHICH I
  • ... Write
  • ... Explain

A Cartography of Trespass

27/12/2019

0 Comments

 
"I've been thinking a lot about trespass. About being, as queer people, in places we're not expected to be, places we're not welcome, places we're not allowed."
highly textured, brightly coloured background with text over the top
If you follow me on social media, you can hardly have missed that Queer Out Here Issue 04 was released earlier this month. If you had missed that, well, now you know! I'll pop a preview of the issue below. My contribution to this issue, "A Cartography of Trespass", was a lot of fun to make. An abridged version of the piece appears in the zine (starts at about 1hr 7mins, here's the transcript), and the unabridged version is embedded at the end of this post.
Allysse and I challenged people to experiment with their submissions for Queer Out Here Issue 04. We tend to get a lot of single-person-talking-into-a-phone submissions and, while there's nothing wrong with that style at all, we hoped to encourage people to play around. I tried to rise to the challenge and push myself beyond my usual audio production style. I ended up doing this in a number of ways.

Collaboration. I've been wanting to involve other people in my audio pieces for a while now. (I mean, there's only so much I can stand listening to my own voice - also, I'm talking all through issues of Queer Out Here, so listeners are probably also sick of it.) For this piece, I decided to get other voices to read pins from Queering The Map. First of all, I got the OK from Queering The Map to incorporate the content (which is submitted anonymously from people all over the world - so there's no way of getting those people's consent!), and donated my thank you payment/gift to them. Then I put a general call on Twitter for people to do the readings. That didn't work, so I approached friends of different backgrounds to help out (payment in an "I'll buy you a drink one day" currency). Guess what? Loads of people hate the sound of their own voices and don't want to read things! But a few people helped out. In addition, I wanted to include field recordings of specific places in Melbourne (or in Australia generally), and my friend Emily went out of her way to collect some for me. All of this involved a lot more interacting with people than what I've done to create audio pieces before - even typing it up in retrospect makes me feel a bit anxious!

Editing. I use GarageBand to do most of my sound production. It's there on my laptop, it's free and it does the basics. But there are definitely parts of it that I don't use because I don't know they're there or I just don't know how. For this piece, I challenged myself to try out a few new effects or design processes. I loved the pitch shift/layered voice idea that I heard in a piece called "Totality" by Mae-Li Evans with Calum Perrin (starts about 19 minutes into this episode of Short Cuts), so I thought I'd give that a bash. I wanted to learn a bit more about looping and different filters. I thought of effects I wanted to make and then googled descriptions of them +garageband to find out how to make them. Sometimes they worked well, sometimes less so - but that's all part of the learning process. I ended up limiting myself to a few effects as I didn't want the piece to end up like a PowerPoint presentation that uses every single transition effect.

Theme and structure. I have been intrigued by ideas about space and identity since I discovered queer cultural geography when I was doing my PhD, and over the last year or so there have been a number of articles I've read, or things other people have said or done that have caused me to revisit these ideas. I don't have the time or the determination needed to "do" academic work outside of the academy, but I wanted to create a piece that touched on these themes, even if it didn't delve deeply into them in an academic sense. I wanted to make something that was interesting (to me) but entertaining (to someone who might not share my niche obsessions). This piece kind of sprawls its way through four main spaces (online/inside, the woods, my memories, the map), touching on different aspects of space/queerness/trespass at each stage, moving on to the next thing without necessarily providing a summary or key argument about the last. I wanted to leave ideas open-ended, open to further conversation and exploration and criticism - something that isn't a mode that academia is particularly good at teaching (or wasn't a mode I was particularly good at learning). This openness of structure, as well as some of my openness around the content, makes me feel vulnerable. Yes, it's partly an experiment, but it's also a piece of art that I had to commit to and invest quite a bit of time and energy in. What if people think the way the piece moves through ideas is lazy or superficial?

Here's the unabridged version of my piece "A Cartography of Trespass" (also embedded below). I'd love to know what you think of it, if you find something particularly interesting, if there's something that echoes your experiences - or if it's wildly different. As I said in my notes for Queer Out Here, "This is a conversation opener rather than a definitive statement: my experiences and thoughts on this topic come from a position of white, able bodied and relative class privilege. Other people in other places will have very different relationships to space, place and trespass - and I would love to hear responses in that vein in a future issue."

"What is a resolution anyway, apart from an attempt to close off narrative options? A locked gate - to climb? A no trespassing sign - to ignore?"

0 Comments

    In which I

    In which I do things and write about them

    RSS Feed

    In which I tag

    All
    #30DaysWild
    Art And Architecture
    Audio And Music
    Australia
    Battle Observer
    Birmingham
    Books And Stories
    Bristol
    Buckinghamshire
    Cambridgeshire
    Cooking
    Cycling
    Devon
    East Sussex
    Eating And Drinking
    Film And Video
    Foraging
    Gardening
    Gippsland GunaiKurnai Country
    Grand Union Canal
    Hastings Independent
    Hertfordshire
    Heysen Trail Prep
    Housekeeping
    Imagining
    Interviewing
    Kent
    Lake Field
    London
    Manchester
    Marketing
    Melbourne Wurundjeri Country
    Microadventure
    National Trust
    Netherlands
    Norfolk
    Northumberland
    Paddling
    Q&A
    Reporting
    Review
    Share The Love
    Sheffield
    Snowy River
    Somerset
    South Gippsland Bunurong Country
    Suffolk
    Swimming
    Tea
    Victorian High Country Jaitmathang Country
    Victorian High Country Taungurung Country
    Wadawurrung Country
    Wales
    Walking
    West Sussex
    Wiltshire
    Year Of Sleeping Variously
    Yorkshire

    In which I archive

    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    October 2021
    September 2021
    March 2021
    December 2020
    February 2020
    January 2020
    December 2019
    November 2019
    September 2019
    August 2019
    July 2019
    April 2019
    March 2019
    December 2018
    November 2018
    October 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    January 2018
    December 2017
    November 2017
    October 2017
    July 2017
    June 2017
    May 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014

Powered by Create your own unique website with customizable templates.